G
Guest
Noel and Steve,
I was going to say the same thing. For Chrome films, Fuji Prove 100F is my primary choice. Although I most do studio shoots in 4x5 formats with this film. I sometime use Kodak E100VS if I want very saturated color.
The Prove has very large latitude, you can shot, in paper, up to 128 secs without color shift and reciprocity failure (where you need to compensate exposure time). I am not aware of any Kodak chrome films can match that. (I have not checked out the new E100g and E100gx though).
Some people may not aware that the Prove 100F actually is more fine grain than the Velvia 50. And with the Prove 100F, you can push 2 stops or pull 1 stop without color shift (contrast will be affected though). But the Velvia can only be push 1 stop and pull 1/2 stop, not very forgiving. I can't wait to check out the new Velvia 100 coming to the market soon.
Albert
I was going to say the same thing. For Chrome films, Fuji Prove 100F is my primary choice. Although I most do studio shoots in 4x5 formats with this film. I sometime use Kodak E100VS if I want very saturated color.
The Prove has very large latitude, you can shot, in paper, up to 128 secs without color shift and reciprocity failure (where you need to compensate exposure time). I am not aware of any Kodak chrome films can match that. (I have not checked out the new E100g and E100gx though).
Some people may not aware that the Prove 100F actually is more fine grain than the Velvia 50. And with the Prove 100F, you can push 2 stops or pull 1 stop without color shift (contrast will be affected though). But the Velvia can only be push 1 stop and pull 1/2 stop, not very forgiving. I can't wait to check out the new Velvia 100 coming to the market soon.
Albert