Lets see your B&W

[jostakesphotos]

There is a dog for everyone! by Jos Home, for some months., on Flickr

I thought it was time for a new photo, hope you like it.

 

[mkuhlma]

Head of the Saviour (Soest Cathedral, Germany, 2024)

1947 Carl Zeiss Jena Sonnar 85mm f/2.0, open aperture
Contax IIIa, 1/10 sec.
Fomapan R100 reversal film. In laboratory, I'm still in experimental stadium .
Slide scanned with Epson Photo 2400.

 

[Macro guy]

• FUJIFILM - X-E2
• 50.0 mm
• 1/1 sec
• Pattern
• Auto exposure
• 1
• ISO 200

 

[photoeil]

Silvestri SLV + Schneider Super-Angulon 47mm (& Center-Filter) + orange filter on Ilford Hp5+ in XTOL 1+1 14min @ 20°C, scanned on EPSON V750

 

[Macro guy]

• FUJIFILM - X-E2
• 50.0 mm
• 1/15 sec
• Pattern
• Auto exposure
• -0.3
• ISO 200

 

[Macro guy]

• FUJIFILM - X-E2
• 50.0 mm
• 1/1 sec
• Pattern
• Auto exposure
• ISO 200

 

[Macro guy]

• FUJIFILM - X-E2
• 50.0 mm
• 1/150 sec
• Pattern
• Auto exposure
• 1
• ISO 200

 

[1971_M5]

I like all of the creativity! Very well done by all. I will post a recent conversion, but it's probably kind of weird. Not really creative, just documentary in nature. For whatever that is worth. Not much. I need to get back into the B&W mindset... try to visualize things in B&W. The funny thing is... when I first started-out taking pictures in the mid-late-1970's - that's all I'd shoot. B&W. Because it was a lot cheaper than color. Develop-only with a contact sheet. Then I would go to a "rental darkroom" and print. Price Photo Lab on Roosevelt Way. B&W.



airport-way-bnsf-three-BW-small by J.E. Frantzen, on Flickr