DPR Forum

Welcome to the Friendly Aisles!
DPRF is a spin-off of dpreview. We are a photography forum with people from all over the world freely sharing their knowledge and love of photography. Everybody is welcome, from beginners to the experienced professional. From smartphone to Medium Format.

DPRF is a community for everybody, every brand and every sensor format. Digital and film.
Enjoy this modern, easy to use software. Look also at our Reviews & Gallery!

Oh for a digital F100

Hi Rogers,

the email system is very straight forward. If you answer to a specific thread, your posting also appears in that thread
happy.gif


The title of the thread can be seen in the "regarding line" of the incoming email. Same as you are used to with any regular email conversations outside of our forum.

Hope that helps. More details are available in the help/instructions within the forum (at the top)
 
> Innocent, you make your point as eloquently as ever, and I can appreciate the passion with which you hold your views. However, I believe you have misunderstood the direction of my previous posts. I am not seeking to criticise any particular camera, least of all the D70. From the start, the question was about the evolution of technology, and the fact that there is often value in older principles - hence my desire for a "digital F100". It would obviously be a great camera, and I sought to illustrate why I would prefer this particular model to have the features listed as desirable. These do not appear to be important to you, or perhaps to the majority, considering Nikon's current range, but I would find their inclusion very useful.

Certainly, the D70 is a very desirable camera, and I have looked closely at its capabilities and features. It is light, well-built, and takes all of my lenses. I am sure I would be delighted with the images. However, there are still certain features that I find to be less than ideal, or have been omitted all together. Having listed them on a few occasions, I will not repeat them here. However, I can see few reasons, if any, to no longer include such features - indeed, some manufacturers do just that to this day.

Your point regarding battery life is well made. I have not tried one of Nikon's new lithium-ion batteries, and so you speak with an authority that I cannot match. However, using my F100 in a game park was pretty exciting for me, and I have to admit that, believing film to be cheap in comparison to the cost of getting there, I did indeed shoot a lot of photos (I've posted some of those I have scanned on the gallery). I guess this was not "contemplative", but my abilities as a wildlife photographer will have to be made up for by shooting more frames.

Perhaps my lithium ion batteries would have held out fine, but I was able to recharge my AA's with a solar charger every day - quite important as I was c&ing in Etosha reserve, and had no easy access to an AC power supply. CR2 battery or not, I would have had difficulties - the nearest place to sell such a specialised cell would have been many miles distant (fortunately, my 80-400VR has an aperture ring, so I could have used my FM2 if necessary ... but then, that was on the wish list, too!)

I don't know that 90% of my photos were unacceptable, but a fair few were less than I had hoped! I guess that is one thing that would change with a digital SLR, that a film-based camera can't match - the ability to review what images you wish to keep, and those you do not. With film, I have always felt that for wildlife shots you are better shooting more than fewer, because I will probably never get the same opportunity again. Isn't it true, though, that you will have to go through the process of aiming, focussing, vibration reducing, shutter releasing, and image storing, whether or not you keep the image? If so, then this must use a comparable charge to a film camera (apart from the motor for film transport), while LCD screen display and subsequent on-camera editing will also have a power penalty.

As stated before, I am not suggesting the D70 is anything other than a fine camera. However, so is the F80, and yet this did not suit my style of photography as well as the F100. Perfectly good camera, but I wanted the feature set of the F100. As Jorgen stated earlier, "The (D70) is not particularly small, still there is no extra battery grip which would be convenient for long days without electricity, no possibility of AA batteries and no mirror lock-up. It's of course always possible to carry extra batteries, but they cost extra money and ads to the logistic. One of the points with light travel is simple logistics." I could have written the sentence myself...

If I look for similar features to an F100 in a Nikon digital SLR, they are simply not there. Many other wonderful features are, but there are some items that I have found of great benefit over a number of years, and so I am reluctant to give them up simply to adopt a digital system. The "D200" may fill the gap, but I still hold that there is no equivalent to the F100 in the digital range. Some may consider these items to be outdated, but my point is that to some of us they are as relevant today as ever.

Thanks also for your comments, Dick. I found your analysis interesting and helpful. My attachment to certain camera features, though, is purely practical, and has less to do with emotion. It is simply that I have chosen certain cameras for what they could do for me, and I find I no longer have the choice. Rather, my current Nikon choice (D2 or D70) sees me leave such features behind.

Your second point is very valid - what is it about digital imaging that appeals, when I have been more than satisfied with analog imaging to date? I guess I have a number of reasons, again all practical as far as I can tell.

Firstly, it seems like fun! I have a small Pentax digital P&S, and there is no doubt that it is quite liberating, and instructional, to have the instant feedback of the digital image. I am sure I would shoot more photos, and see what I could learn from this instant feedback. I love getting my slides back, but of course, analysis will not alter how I take a shot in the field. I would also really like to spend some time doing some digital darkroom manipulation. True, i can use scanned slides, but this adds another complexity to the process.

Secondly, it is obviously good for display and reproduction ease. As perhaps you do, I have hundreds (thousands!) of slides, from many years of photography, and I simply do not look at them as often as I would like. They are packed away in boxes for much of the time, which seems a shame. Digitised images can be displayed, shared, printed, and so on, with relative ease, whether scanned or captured on an image sensor. Film may be scanned, but it takes a while to do, that's for certain!

Thirdly, I am aware that my storage space is limited. I like the idea of storing all my images on disk, and perhaps backing up all to removable media. If I wanted, I could store images "off site" as well as those stored locally. No doubt, storage will continue to expand exponentially, but I feel it is approaching the time when I will benefit from storing digital images, rather than celluloid in plastic mounts. Just as important, when travelling, the idea of being able to store digital images (even duplicating the storage in case of loss or theft) is appealing. It simply seems to make good sense, as long as image quality is considered reasonable.

You are absolutely right - today has seen a technological revolution, and whatever is new today will itself be superceded tomorrow. Larry has made the point that digital cameras should be considered exendable - they will be out -of-date all too soon, and so we should make the most of them, enjoy them, and move on. I guess it is difficult for me to consider a camera as "disposable", with limited lifespan - that is just the way I was brought up, I guess (more emotion!), but I can see this very same argument applies to all consumer electrical goods - computers, PDAs, mobile phones and the like. It's high turnover.

I certainly agree with your sentiments regarding the purchase of a second-hand, less elaborate camera for learning purposes. I have considered this, and the idea of a CP8800 is, as I have said in the past, very tempting. Not an SLR, true, but it sounds to be an excellent imaging machine - even moreso for the price charged. As you stated, it does not replace the interest I have in an SLR that has the features I would look for, but if it proves a half-decent choice, it would at least be a place to start learning about digital photography, for the reasons mentioned above.

Again, many thanks for your comments. All much appreciated.

Kind regards,

Ian
 
Ian,
I appreciate your concern regarding the twist your post had taken. In fact I came in when the matter you initially raised had already been twisted. I only took just an aspect of the twist. I do not mean in any way to talk down any particular camera but simply stating the facts as they stand.


Further to your post no 7 above where you inquired as follows: "I would be interested to hear why you feel as you do about the capabilities of the Coolpix system, relative to a D70". May I refer you to the link on CCD sensor sizes and image quality which I created, because I too has found that the thread has diverted so much from the original post. In the said link you will find that the sensor sizes in the coolpix range is the main deficiency in the coolpix system apart from the glass embedded with them.

Having said that, it is not for me to judge which camera system is suitable for any individual but all I can do is to analyse their (the cameras) objective characteristics to draw conclusion about their competencies and to choose which is most suitable to ME. However, whichever digital choice you make, enjoy it.

Regards
 
Have you noticed that there is something in the air? Contax is dead, Leica is dying, Bronica is on their way and Rollei is being reduced to a point-and-shoot brand. Mamiya will survive in the studio if the ZD is very good and not too expensive.

All manufacturers that are not successful with digitals, some of them among the oldest camera manufacturers on earth, are disappearing within a period of 1-2 years. At the same time, Canon is launching an amateur SLR that, if we look at picture quality alone, probably surpasses any other digital camera that was manufactured until 12 months ago, except their own 1Ds.

At the same time, my favourite camera shop have an increasing number of min t condition medium format cameras for sale. Pro equipment, but hardly used. Three additional Contax 645 the last week, and a new N1 for $900 including the beautiful 24-85 lens. Something for the mantelpiece?

I have a feeling this is it. There will be film cameras in the future too, but only from those firmly established on the digital side. That means Niko n and Canon, period.

I guess the launch of EOS 350D will also put an enormous pressure on the prices. Both cameras like the D70 and the top spec CPs will have a hard tim e if they don't adapt. That means competitive prices.

Now is the time to remain cool and not rush. Things will become much, much cheaper and much, much better, and we will get so many nice tools for our favourite activity.

Jorgen
 
> Perhaps my lithium ion batteries would have held out fine, but I was > able to recharge my AA's with a solar charger every day - quite > important as I was c&ing in Etosha reserve, and had no easy access > to an AC power supply.

Hi Ian,

I share your desire for the ability to use AA batteries in some form. I have used solar power to charge the Lithium Ion batteries for my D70 but there are times when either the sun isn't bright enough or I don't have the time to set up the panel. For much of my shooting, the Lithium Ion is super but a battery grip option for AA's (even without a vert. release) would be great.

Eliminate the metering lockout with non CPU lenses to at least allow stop down metering, add multiple Custom Curves and the ability to load Custom Curves from CF and a AA battery grip and I would be quite satisfied.

By the way, I too have a ton of slides. I adapted an old Kodak slide projector with a 5 watt bulb to an AF micro nikkor on my D70 as an almost automated slide copier to archive many of my slides and my father's slides for my elderly mother.

Ron
 
> Hi Ron,

Thanks very much for your comments. I mentioned that I have an F4s (which admittedly does not get used as much these days because I am so pleased with my F100), but changed its large and heavy(er) MB23 battery pack for the smaller and neater MB20 from the start. This allowed me to continue using the 4 AA batteries in the F4, along with cutting down on weight and volume in the camera bag - a sensible and much appreciated option for Nikon to have provided. Just as you mentioned, such versatility, even without a vertical release, is well worth it IMHO.

I was particularly intrigued by your set-up for copying slides to your D70! What a great idea. Can I ask for a few more details regarding your system? Did you simply project the photos, and then have your camera on a tripod and blaze away? Did you perhaps have a rear projection display, and shoot directly from the projector itself? I'd love to hear more about how you achieved your aim.

Thanks again for your post and thoughts,

Kind regards,

Ian
 
> Posted by Jorgen Udvang > Have you noticed that there is something in the air? Contax is dead, > Leica is dying, Bronica is on their way and Rollei is being reduced to > a point-and-shoot brand. Mamiya will survive in the studio if the ZD > is very good and not too expensive.

It is very difficult for many companies to adjust to new realities. IBM spent much of the late 1980s and early '90s in deep crisis. The internal establishment saw IBM as strictly a big systems company, happy to deal with a handful of huge corporations and govenments. They barely fought when Compaq cloned the system. A large corporation can be as bureaucratic as any civil service. It is said that some bureaucrats have 30 years of experience but often it is one year of experience repeated 30 times.

I expect that this is the case with many camera companies. When Contax first announced their dSLR, it had the potential to make them the absolute leader in high-end digital photography. Years later, when they finally canned it, it was too little, too late and for too much money. Kyocera is making money hand over fist at the moment with their other product lines, and see Contax/Yashica as a drain on their resources. Rather than adjust to the new marketplace, they are canning the whole division. It is possible that someone will buy the facility and brand names. Sony has been mentioned.

Leitz has been resting on their laurels, building antiques for collectors for the past many decades, as well as a few fairly contemporary SLR bodies for enthusasts with very deep pockets and a lust for the red circle that says Leica. There are still a few photographers who use the equipment, rather than collect it, and I have heard reports of an appalling drop-of in lens quality. I would guess that they assume that the lens would never take a picture anyway, so why bother.

In the studio, the price of a camera is incidental. Studios are using breathakingly expensive scanning backs on Sinars and medium format bodies. In commercial or catalogue work, a lot of salaries are involved and if an hour or two can be saved across the board by shooting digital rather than Ektachrome, the camera is paid for in days just in increased productivity. If a table setup must remain in place while the film is developed and the client signs off on the job in case a reshoot is needed, the cost is enormous. If the client can see the digital image on a monitor seconds after it was shot, hours are saved all up and down the food chain. A change of lighting, styling or props and a reshoot cost almost nothing with digital since they can be done immediately with reference to the previous shot.

Even in a small studio, the cost of equipment is a small item. A long time on-line friend and top wedding photographer has gone almost exclusively digital with a very pricey 1Ds. It paid her back in the first couple of shoots.

larry! http://www.larry-bolch.com/ ICQ 76620504
 
It is entirely practical to project directly onto the focal plane of a camera. In the fume-room, I frequently needed to make slides off negatives or duplicate slides. I used my 35mm camera below the enlarger, with a right-angle finder to make sure I got the cropping I needed and for focusing. When doing slides off negatives, I had a fibre-glass conduit from the viewfinder to the colour analyzer so I could set the colour balance on the enlarger head. Worked perfectly.

larry! http://www.larry-bolch.com/ ICQ 76620504
 
> Hi Larry and Ron,

I actually have a Nikon slide copier attachment - a PS5 or 6, I think it is called - although have not used it for many years. Would using this with my 60mm Nikon micro (1:1 ratio) lens, and appropriate positioning of the lens, allow a full-frame image to be recorded on a D70 reduced size focal plane/image sensor?

I used my SB-24 flash as the light source in the past, and this has worked reasonably with standard TTL exposure (via cable connection to the camera hotshoe). I am not sure, however, whether I would be able to make use of this facility with a Nikon digital SLR. Do you know if I would have to use an SB-600 or SB-800? How would the fittings work with this combination of lens/copier/camera?

I have to admit, I had never thought of such a set-up until now - I am learning every day! Whatever one makes of the "digital revolution", it is quite amazing how 20 years on I feel there is a whole new world of photography out there to discover. How wonderful!

Thanks again,

Regards,

Ian
 
This should work. I would probably approach it by getting a big sheet of white card stock taped to a wall. For comfort, I would use a tripod, and point the camera at the centre of the sheet a few feet back from it.

With the flash on the camera, there should be enough light bouncing back through the copy attachment to get a decent exposure. This should provide very even lighting, and the TTL should give reasonable exposure accuracy. Of course if there is a large area of density in the slide or low density, you may have to use the exposure compensation to adjust for it.

A scanner is much simpler, however.

larry! http://www.larry-bolch.com/ ICQ 76620504
 
Back
Top