Different designs, different look??? If you have experience with two (or soon three) variations on the Planar theme, your thoughts would be
very welcome. I just ordered a C/Y myself and have owned the N-version which is optically much more complex. The new ZF lens appears to be a return to the basics.
Specifications (in chronological order):
1. Zeiss Contax-Yashica: 6 elements, 5 groups, close focussing 1 meter.
2. Zeiss N: 10 elements, 9 groups. Close focussing 83cm.
3. Zeiss ZF (for Nikon): 6 elements, 5 groups. Close focussing 1 meter.
Brochure describing the N-lens: "For the Contax N system, Carl Zeiss has designed an all-new Planar T* 85mm f/1.4 lens. This lens excels with very high image quality over the entire frame, clearly visible in the SLR viewfinder. The full speed of f/1.4 can be utilized not only for composing and focusing, but also for actual picture taking. At f/1.4, the wide-open aperture enables image compositions with selective focus that are very pleasing for portraiture. A novelty in such a fast lens, the high performance is maintained over the entire focusing range, from infinity down to minimum object distance. Carl Zeiss achieves this with a new internal focusing design IFD, which moves 6 of the 10 elements for focusing."
What has motivated Zeiss to return to the simpler formula? How would you characterize the N-variant?
very welcome. I just ordered a C/Y myself and have owned the N-version which is optically much more complex. The new ZF lens appears to be a return to the basics.
Specifications (in chronological order):
1. Zeiss Contax-Yashica: 6 elements, 5 groups, close focussing 1 meter.
2. Zeiss N: 10 elements, 9 groups. Close focussing 83cm.
3. Zeiss ZF (for Nikon): 6 elements, 5 groups. Close focussing 1 meter.
Brochure describing the N-lens: "For the Contax N system, Carl Zeiss has designed an all-new Planar T* 85mm f/1.4 lens. This lens excels with very high image quality over the entire frame, clearly visible in the SLR viewfinder. The full speed of f/1.4 can be utilized not only for composing and focusing, but also for actual picture taking. At f/1.4, the wide-open aperture enables image compositions with selective focus that are very pleasing for portraiture. A novelty in such a fast lens, the high performance is maintained over the entire focusing range, from infinity down to minimum object distance. Carl Zeiss achieves this with a new internal focusing design IFD, which moves 6 of the 10 elements for focusing."
What has motivated Zeiss to return to the simpler formula? How would you characterize the N-variant?