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Birmingham with K7

I was out shooting last night with my old battered beaten up Nikon D700 that i purchased for £130.
I was enjoying shooting shallow depth of field shots at F1.4 and using a tripod which was completely opposite to my two evenings with the little pentax hand holding. I like to change things up to try and break ground creatively and keep a thrill. I was very happy shooting but when I got home the photos were lacking something. i expected more from that shallow depth of field. Perhaps over time I will like them more but it is all down to me. I had not made the best use of the Nikon lens. I will try and do better if / when I do it again. The Pentax was actually in my bag at the same time but once I was concentrated on the Nikon 105mm I did not want to lose the rhythm so I only used the nikon.
There is a lot of debate and doubt about the merits and lack of merits to using a monochrome camera. Perhaps it is my imagination but I swear to you the images from the Pentax are superior visually the day before but perhaps it is the way I shot the nikon with too generous an exposure. The D700 meter often results in over exposure and that was the case last night. The images do not have the same visual quality as the images I shot hand held with the Pentax. These things can be your imagination but there is no doubt that the mono camera images look fantastic on my screen.

Here are some D700 images from last night.

DSC_3984-1 copy.jpg
  • NIKON CORPORATION - NIKON D700
  • 105.0 mm f/1.4
  • 105.0 mm
  • ƒ/1.4
  • 1/20 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200




DSC_3988-1 copy.jpg
  • NIKON CORPORATION - NIKON D700
  • 105.0 mm f/1.4
  • 105.0 mm
  • ƒ/2.8
  • 1/4 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200




DSC_4062-1 copy.jpg
  • NIKON CORPORATION - NIKON D700
  • 105.0 mm f/1.4
  • 105.0 mm
  • ƒ/1.4
  • 1/45 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200




DSC_4115-1 copy.jpg
  • NIKON CORPORATION - NIKON D700
  • 105.0 mm f/1.4
  • 105.0 mm
  • ƒ/1.4
  • 1/6 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200




DSC_4129-1 copy.jpg
  • NIKON CORPORATION - NIKON D700
  • 105.0 mm f/1.4
  • 105.0 mm
  • ƒ/1.4
  • 1/10 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200




Regards Dino26323
 
Here are some more with the other camera again from Ricoh.
Basically the results are just a joy. They look fantastic on my screen. ALL Hand holding again here.

IMGP1232-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/8 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1236-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/10 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1238-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/10 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1262-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/8 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1271-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/8 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800



Regards Dino26323
 
I like the whole series, but especially the last one, the man in the cafe.
Yes you are probably right.
And thanks for looking. Street photos are crazy because it is a fine line between rubbish mediocre and not bad. Luck is needed to get the best ones just as it is with other kinds of photography.
I have a favourite photo taken through Barber shop window which was likely easy to repeat. BUT NOT ANYLONGER. . It is now much much even better because the shop has been changed with a new owner and so nobody can copy it now. It has gone forever. The shop has been completely refurbished and is now not such a great picture anymore. So even the quite decent but ordinary has now been upgraded to great. Nobody can take it again to copy my photo anymore. I just hope that I am the only one that shot that scene through the window. 30mm Art on K01 with no viewfinder and print is great. Two people picked it out as my best print from 100s of prints but it stood out being the only one like that which is really why it was picked. Now nobody can repeat a copy of it no matter how lucky they are.

Regards Dino26323
 
Here are some more while I am still at it. From yesterday but I have shot more today too to post tomorrow maybe. Eventually I will get bored. Maybe try the 135mm F2 K7 at night for some fun and see how that does at some point using a 30th at F2 800 iso approx. The mono camera is special though. Whether it is my imagination is irrelevant because it obviously inspires a way of shooting and is producing interesting results.



IMGP1318-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/10 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1327-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/10 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1329-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 30.0 mm
  • ƒ/4.5
  • 1/10 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1332-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 30.0 mm
  • ƒ/4.5
  • 1/10 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1370-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/8 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 1100


Regards Dino26323
 
Hi More . . these from yesterday. Plate ammended on car shot.


IMGP1372-2z.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/500 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200




IMGP1414-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/5.6
  • 1/30 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200




IMGP1416-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/8 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1429-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/8 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




IMGP1436-1 copy.jpg
  • RICOH IMAGING COMPANY, LTD. - PENTAX K-3 Mark III Monochrome
  • HD PENTAX-DA 20-40mm F2.8-4 Limited
  • 40.0 mm
  • ƒ/4
  • 1/8 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 800




Regards Dino26323
 
Today I used my lucky K7 with my Samyang 135mm F2.
Most shots were at a 30th F2 using shake reduction and are largely fine. They are better than expected because many times I was not waiting for confirmation that shake reduction was ready.

This combination worked really well as always. The Samyang lens is really wonderful piece of glass to manually focus getting many great shots. Pentax did make a 135mm F1.8 yrs ago and would be interesting to try out to see if it is as good. to shoot with I own 200mm F2.8 DA* which would do a very similar job on my K1 ie same view almost exactly and same depth of field isolation but a higher iso.
I can see things where the mono camera would be different but without side by side tests it is just only an unproven theory. The mono camera shows exquisite tender gentle transitions on screen.


IMGP9619_DxO-1 copy.jpg
  • PENTAX - PENTAX K-7
  • 0.0 mm f/0.0
  • 135.0 mm
  • 1/30 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 500




IMGP9631-1 copy.jpg
  • PENTAX - PENTAX K-7
  • K or M Lens
  • 135.0 mm
  • 1/30 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 500




IMGP9644-1 copy.jpg
  • PENTAX - PENTAX K-7
  • K or M Lens
  • 135.0 mm
  • 1/30 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 500





IMGP9660-1 copy.jpg
  • PENTAX - PENTAX K-7
  • K or M Lens
  • 135.0 mm
  • 1/40 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 160




IMGP9775-1 copy.jpg
  • PENTAX - PENTAX K-7
  • K or M Lens
  • 135.0 mm
  • 1/30 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 200


Hope you are not bored yet. I will take more while it is still dark nights.
Regards Dino26323
 
A lot of nice and fun shots and the B&W is great. Not bored at all. I'm thinking 40mm is perfect for the street, but I also like the last bunch @ 135mm.
 
A lot of nice and fun shots and the B&W is great. Not bored at all. I'm thinking 40mm is perfect for the street, but I also like the last bunch @ 135mm.
I had High hopes for the nikon 105mm at F1.4 last week but it did not really get anywhere near what I had hoped but I will try again with it at some point. I need to hand hold it instead of the way I used it. Shallow depth of field shooting is useful at night photos eg F1.4 F2 all helps. with exposures. The 20 to 40mm Pentax uses does ok though because I can shoot 8th of a second pretty reliably even with a K7 with that lens certainly for 18 x 12 prints easily. Also slow shutter speed throws up weird unplanned effects. High ISO is the safe bet. Be brave. Take Risks.

IMGP9651-1 copy.jpg
  • PENTAX - PENTAX K-7
  • K or M Lens
  • 135.0 mm
  • 1/30 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 250




Regards Dino26323
 
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