G
Guest
Mark,
I didn't say the older lenses were inferior. In fact some of the older lenses are the most famous glass ever produced by anyone, ever.
But some of those legendary lenses are more expensive than an entire N system. The 28/2 50/1.2, 85/1.2, 135/2 and 70-200/3.5 German made Zeiss lenses are to die for. If I could own those I wouldn't care if I had to duct tape them to a shoe box. The difference between the N lenses and less lofty Contax manual lenses have to be evaluated lens to lens. I don't think a N zoom should be compared to
a prime. They should be compared to zoom offerings from other camera companies. Since I own or have owned comparable zooms from Canon and Nikon I can say the Contax N zooms are some of the best, only rivaled by a few Leica R zooms ( and only bested by the Leica 21-35/3.5 ).
There well may be a difference between older glass and the newer, but for all practical purposes I can't see it. My recommendation is based on future use. Fitting 645 lenses on a N camera means less glass to carry around when doing as wedding. Then there's digital, which I didn't dream of doing less than 2 years ago, and now it constitutes 80% of my commercial work including weddings.
I didn't say the older lenses were inferior. In fact some of the older lenses are the most famous glass ever produced by anyone, ever.
But some of those legendary lenses are more expensive than an entire N system. The 28/2 50/1.2, 85/1.2, 135/2 and 70-200/3.5 German made Zeiss lenses are to die for. If I could own those I wouldn't care if I had to duct tape them to a shoe box. The difference between the N lenses and less lofty Contax manual lenses have to be evaluated lens to lens. I don't think a N zoom should be compared to
a prime. They should be compared to zoom offerings from other camera companies. Since I own or have owned comparable zooms from Canon and Nikon I can say the Contax N zooms are some of the best, only rivaled by a few Leica R zooms ( and only bested by the Leica 21-35/3.5 ).
There well may be a difference between older glass and the newer, but for all practical purposes I can't see it. My recommendation is based on future use. Fitting 645 lenses on a N camera means less glass to carry around when doing as wedding. Then there's digital, which I didn't dream of doing less than 2 years ago, and now it constitutes 80% of my commercial work including weddings.